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*Probably gonnabe some whining ahead*
Following the hostile takeover thingIMort did on April first, I've decided to really crack down and start work on getting Mort into that animated series I always promised him... ever since I stopped thinking I wanted to do the comic thing.
So, I've been contacting people about voice acting and rounding up a few volunteers who would be happy just to do it, and all that's going good and everything, but now I've hit a snag.
I told them each I'd get in touch with them once I got at least some of the script for the pilot written up. At that point, they could send in auditions, I could pick who I wanted to play whom, and we would go from there. So, the script has been the thing I've been trying to work up on and off all month.
But now I've come to a spot where I find myself unable to proceed. I know the basic plot of the episode and the conflict, but I don't know how I'm going to go about resolving it. It's a character-driven conflict centered around Mort's sidekick and best friend Chuck the Duck, so it needs to have a character-driven resolution centered around the same guy.
Thing is, I have no idea how I want to work in this resolution! I have no idea what kind of situation or circumstance I could use to bring about the end of the episode's main conflict. You can contact me for more details if you want to lend some brainstorming, but at the same time, no one knows Mort or Chuck like I do, and I don't want to make them do something that I feel, as characters, they wouldn't do.
On the one hand, I feel I can't figure this out without some outside input. On the other, I don't want to divulge too much or give writing privileges away to someone else. I kind of want this to be my thing, and there's sort of this fear of letting go. Like if I let someone in on too much, they'll either take over and make MORT! something I never intended it to be, or they'll drop contact with me, take my best ideas, and create their own thing, leaving me looking like the copycat when MORT! finally comes out.
Besides that, I really don't want to give somebody what will basically amount to a job without being able to pay them for their work. I'm pretty sure it's illegal to begin with, and on top of that, I don't know if I could live with myself, ripping off free labor from people.
Look, tl;dr, I seriously need a second set of eyes for this thing, but I have my hangups. I, however, probably won't be able to get anywhere without some big help.
Following the hostile takeover thing
So, I've been contacting people about voice acting and rounding up a few volunteers who would be happy just to do it, and all that's going good and everything, but now I've hit a snag.
I told them each I'd get in touch with them once I got at least some of the script for the pilot written up. At that point, they could send in auditions, I could pick who I wanted to play whom, and we would go from there. So, the script has been the thing I've been trying to work up on and off all month.
But now I've come to a spot where I find myself unable to proceed. I know the basic plot of the episode and the conflict, but I don't know how I'm going to go about resolving it. It's a character-driven conflict centered around Mort's sidekick and best friend Chuck the Duck, so it needs to have a character-driven resolution centered around the same guy.
Thing is, I have no idea how I want to work in this resolution! I have no idea what kind of situation or circumstance I could use to bring about the end of the episode's main conflict. You can contact me for more details if you want to lend some brainstorming, but at the same time, no one knows Mort or Chuck like I do, and I don't want to make them do something that I feel, as characters, they wouldn't do.
On the one hand, I feel I can't figure this out without some outside input. On the other, I don't want to divulge too much or give writing privileges away to someone else. I kind of want this to be my thing, and there's sort of this fear of letting go. Like if I let someone in on too much, they'll either take over and make MORT! something I never intended it to be, or they'll drop contact with me, take my best ideas, and create their own thing, leaving me looking like the copycat when MORT! finally comes out.
Besides that, I really don't want to give somebody what will basically amount to a job without being able to pay them for their work. I'm pretty sure it's illegal to begin with, and on top of that, I don't know if I could live with myself, ripping off free labor from people.
Look, tl;dr, I seriously need a second set of eyes for this thing, but I have my hangups. I, however, probably won't be able to get anywhere without some big help.
A Wild Journal Entry Has Appeared!
Okay so you guys may have noticed art's still been really slow around here.
Hecks, a lot of you probably thought I was dead.
Well, I'm not.
There's a couple of reasons I haven't been doing much uploading in the art department lately. One of them is I've got a not very big but still super cool and secret project that I'm working on right now and don't wanna spoil you for. ;) The other, more boring reason is I've been super busy at work making money to pay my bills. Just recently picked up a third part-time job, and so far the three of them are playing (and paying) very nicely together.
But! The most important reason I've been slowing down
Cartoon Canon and Other Asinine Things
So on the topic of Lapis Lazuli's outfit and whether its a full dress or a crop-top-skirt combo, I remembered seeing this behind-the-back shot of Lapis in the episode "Barn Mates"
and thinking, "Hey. That line they drew for her spine... crease... thing... if she was really wearing a crop top, surely that would continue down past the alleged bottom of her top, right? I mean it's not too much distance to cover, and I've seen one or two fanmade redraws where they - agreeing that it should be there if she was wearing a crop top - added it in.
So maybe it's an animation error, or maybe she really does have a blue band around the midsection of he
More free time, more art?
Maybe.
Recently the company I've been working for for the past few months decided that they wanted to "move in a different direction" and gave me the slip - the pink slip, that is.
So as of that day, I'm currently unemployed. I'm gonna work on finding another job, but in the meantime, this raises an important question. With so much newfound free time on my hands, does this mean I'll start really cranking out the arts for you guys to enjoy? The answer is... maybe. It all depends if I can get myself off my fat duff and pull myself away from the world of casual games for long enough to actually work on something. :XD:
So Now I've Taken Up Song Parodies as a Hobby
Got my hands on a copy of Vocaloid V4 a while back, and I figured what was the best way I could use it?
Why, to make song parodies of course!
So dear watcher, have you ever wanted to hear Crypton-Vocaloid Hatsune Miku sing a parody of Maroon 5's 'Payphone' in which she's really hungry and also kind of a selfish jerk?
WELL, HAVE I GOT THE VIDEO FOR YOU? :dance:
Note that I made everything but the backing track.
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If you have family or friend you can trust to give you an honest opinion, you should show them
My younger brother is the better writer (and reader xD) than me, so sometimes I ask him for advice for characters or storytelling in general with the little writing I actually do.
My younger brother is the better writer (and reader xD) than me, so sometimes I ask him for advice for characters or storytelling in general with the little writing I actually do.